A logo design of a black and white sparrow and banner featuring the words 'Common Folk Vintage' in American Traditional Tattoo style

Objective To build a comprehensive visual identity for a sustainable apparel business specializing in upcycled, one of a kind garments repurposed from historic quilts and estate textiles. The branding needed to bridge the gap between old world Americana and the modern age.

Strategy & Execution I partnered with the client to translate their passion for textile preservation into a scalable brand ecosystem. Our early design phases explored a variety of retro script formats and typography experiments inspired by mid-century aesthetics. Through a highly collaborative process, we ultimately selected the bold, symbolic style of classic American Traditional art as our central theme. I developed a flexible icon system featuring a custom sparrow motif alongside traditional serif lettering to honor the craft element of the hand sewn garments.

The Deliverables & Full Scope Integration To support the unique nature of wearable art, I delivered an open ended, highly adaptable brand package designed to shift with seasonal collections:

  • Comprehensive Logo Architecture: Created a primary brand mark, diverse secondary logos, and a wide array of colorway options to give the client total freedom when matching individual fabric prints.

  • Apparel Production & Packaging: Designed custom woven neck labels, embroidered patches, and holographic hang tags. This ensured the brand identity translated flawlessly from digital vectors into physical apparel manufacturing, creating an elevated, tactile experience for the consumer.

  • Scalable Brand Systems: Supplied repeating seamless patterns and versatile line work illustrations intended to be utilized across both digital platforms and physical packaging elements on an as needed basis.

A seamless pattern developed as part of the visual identity and branding for Common Folk Vintage featuring multiple monotone sparrows with one holding a banner with the brand logo
The final logo for Common Folk Vintage featuring a black and white sparrow and banner inspired by American Traditional tattoos

Give the brand wings

To retain authenticity, ultimately we left the final design & color palette open ended and versatile. A nod to the process of letting the textile tell you what it wants to become. Although the final primary logo, pictured above, was a strong visual representation of the brand ideals, I supplied several solutions for logos, intended to be used on an ‘as seen fit’ basis.

Additionally a broad range of color palette options were supplied, leaving the branding open to catalogue specific collections or the ability to change with the seasons. The final visual identity leaves flexibility and freedom for the brand to represent themselves on their own terms, similar to the artistic freedom when repurposing textile to create a new and unique work of art.

A variety of logos designed by Chris Ball for the visual identity of Common Folk Vintage, each black and white logo features a sparrow and banner drawn in the vector/rubber stamp style
A variety of logos designed by Chris Ball for the visual identity of Common Folk Vintage, 9 colorful variations of the logo feature a sparrow and banner drawn in the vector/rubber stamp style
A variety of logos designed by Chris Ball for the visual identity of Common Folk Vintage, 24 colorful variations of the logo feature a sparrow and banner drawn in the vector/rubber stamp style
A variety of logos designed by Chris Ball for the visual identity of Common Folk Vintage, 12 colorful variations of the logo feature a sparrow and banner drawn in the vector/rubber stamp style
A variety of logos designed by Chris Ball for the visual identity of Common Folk Vintage, 12 colorful variations of the logo feature a sparrow and banner drawn in the vector/rubber stamp style
A variety of logos designed by Chris Ball for the visual identity of Common Folk Vintage, 9 colorful variations of the logo feature a sparrow and banner drawn in a vector style with more intricate detail, similar to artwork used in vintage posters
A variety of logos designed by Chris Ball for the visual identity of Common Folk Vintage, variations of the logo feature a sparrow and banner drawn in the vector/rubber stamp style on a black background
A variety of logos designed by Chris Ball for the visual identity of Common Folk Vintage, 12 variations of the logo feature a sparrow and banner drawn in the vector/rubber stamp style on a black background
A mockup image of a hangtang design for packaging featuring the logo on both sides
A mockup image of a sticker/business card design featuring the logo on both sides
A photograph of the iridescent printed hangtag designed by Chris Ball adorning a quilted patchwork bag with a Common Folk Vintage sewn tag
A photograph of the backside of the printed hangtag designed by Chris Ball adorning a quilted patchwork bag with a Common Folk Vintage sewn tag
A photograph of a colorful sweater made by Common Folk Vintage featuring the iridescent hangtag on the left breast
A closeup photograph of a colorful sweater made by Common Folk Vintage featuring the iridescent hangtag on the left breast
Mockups of  sticker featuring the Common Folk Vintage logo designed to look like an embroidered patch
A mockup of a seamless pattern on an iPhone screen featuring a variation of the Common Folk Vintage logo
A photograph of various colorful Common Folk Vintage stickers resting on a quilt
A closeup photograph of various colorful Common Folk Vintage stickers resting on a quilt
A closeup photograph of a Common Folk Vintage sewn tag designed by Chris Ball on a patchwork pocket with different colors, patterns, and textures
A closeup photograph of a Common Folk Vintage sewn tag designed by Chris Ball inside a garment collar with different colors, patterns, and textures
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